My sculptural practice is founded within my personal experience as a gender-nonbinary individual, and much of my work could be classified as self portraiture. I am interested in gender identity politics and the conflicts created surrounding corporeal embodiment: the qualities of existing within the confines of the body’s finite matter. More specifically, I explore the dialogue between abjection, autonomy and adornment where the overgrown and uncontained body dominates form. My practice uses steel, latex, resin, plaster, soft sculpture, and more to explore material transformations through process and experimentation. I am interested in the visual agency of matter to transform itself where it crosses the corporeal edge, and how abjection can hold immense power when embraced.